Krystian Adam - tenor

After his debut in Il Barbiere di Siviglia in Gliwice, Poland, he devoted himself mainly to the repertoire from 18th century. Amongst his recent engagements: Decio in Vivaldi’s L’Ottone in Villa at the Innsbrucker Festwochen der Alten Musik with Il Giardino Armonico and Giovanni Antonini; Entführung aus dem Serail (Pedrillo) at the Opera Company in Philadelphia under Rovaris; L’Incoronazione di Poppea (Arnalta) at the Maggio Musicale Fiorentino with Curtis; Il Ritorno di Ulisse in patria at the Teatro alla Scala under the baton of Alessandrini; Anfossi’s La Finta Giardiniera (Contino) with L’Arte del Mondo and Ehrhardt in concert and recorded by Sony/DHM; Mozart’s Great Mass in C minor with the Oslo Philharmonic Orchestra, Manfred Honeck conducting; Il Trionfo del Tempo e del Disinganno (Tempo) in Budapest and Krakow with Giardino Armonico and Giovanni Antonini. Mr. Adam recorded Pergolesi's Dixit Dominus with Claudio Abbado for Deutsche Grammophon.

His future plans include: Cantatas by Bach in Wroclaw (Wratislavia Cantans) under Giovanni Antonini and in Austria with Manfred Huss; Kraus' Funeral Cantata and Schubert's Mass in A-flat in Leverkusen and at the Berliner Philarmonie (recorded for Sony), as well as Mozart’s Requiem in Altenberg and Dortmund, all of them with L'Arte del Mondo and Werner Ehrhardt; Haydn’s La Vera Costanza with Andreas Spering at the Haydn Festival Augustusburg (recorded by WDR); Gluck’s Demofoonte (title role) at the Theater an der Wien with Complesso Barocco and Alan Curtis; Die Zauberflöte at the Opéra Royal de Wallonie in Liège; Dido and Aeneas (Aeneas) in Regensburg with La Risonanza and Bonizzoni; Haydn’s Philemon und Baucis in Montecarlo with Europa Galante and Fabio Biondi.